Another Arena Transition Article

This article is from December 11th about the management that goes on behind the scenes of a cirque show. ¬†There is mention of Quidam’s transition:

Surprisingly, he said, except for redesigning a lighter, quick-to-assemble set, Quidam didn’t require major alterations for its arena shift.

The size of the cast remains the same, although the clown act has been pared down from three performers to one (Toto, doing numbers created by David Shiner).

Most of the changes were technical, he said. It was the five-rail ceiling track, or telepherique, that posed the biggest challenge. At the big top, it crossed the entire tent, which isn’t possible in an arena. “What we did is cut a section of the telepherique, and we raised it so that it’s more open, allowing a bigger view of the stage,” he said.

Maintaining sound quality for the multi-layered soundtrack was another challenge. In the tent, Quidam had surround sound. “We have to adapt in each arena because the acoustics will be different,” he said.

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